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De ses origines, de forain bonimenteur ou de petit épicier ambulant, l'exploitant de théâtre cinématographique a tout oublié en se sédentarisant pour, très vite, conquérir le monde. Mais au moment ou l'on assiste à une concentration des corps de métiers dans toute l'industrie de l'audiovisuel, l'exploitant de salle peut-il rester un simple pourvoyeur de billets de cinéma ? Cet ouvrage rappelle les principales étapes de la vie économique des salles de cinéma françaises ; l'introduction sur le marché des attractions et des loisirs de ce nouveau spectacle, sa croissance marquée par la révolution du parlant, son apogée, puis les modifications récentes des comportements et des attentes du consommateur de films qui provoquent sa désaffection pour les salles de cinéma. Face à la diffusion massive de l'offre de films à domicile, et au passage d'images stockées sur pellicules à celles émises par flux numérique et continu, quelles sont les forces et les faiblesses de l'exploitation contemporaine ? Si le métier, centenaire, d'exploitant de salle de cinéma est voué à la disparition, il demeurera cependant quelques acteurs sur cette scène. Pour ces entreprises qui, toutes, ne pourront pas être adossées à de grands groupes de communication, quelles sont alors les stratégies possibles de survie ?
Motion picture theaters --- History. --- Cinemas --- Movie theaters --- Moving-picture theaters --- Theaters, Motion picture --- Theaters --- exploitation cinématographique --- économie du cinéma
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Theaters --- Stage-setting and scenery --- History
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Motion picture theaters --- Cinémas --- History --- Histoire --- History. --- Cinémas --- Motion picture theaters - France - History
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Architecture --- Theaters --- Stage-setting and scenery --- De Bondt, Werner E.
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This volume deals with the architectural history of the theatre in Roman Palestine and Provincia Arabia, a region which comprised a Jewish, Nabataean, and Hellenized population but lacked any tradition of classical theatre. The earliest examples, erected by Herod, were actually a foreign imposition upon the landscape of Judaea, while the theatres built in the Nabataean kingdom provided no more than an architectural setting for activities which were often unrelated to theatre in the accepted sense. When the Hellenized cities in the region began building their theatres, classical plays were already disappearing from the stage throughout the Roman world, their place taken by lighter, less select forms of public entertainment. The author then offers a comprehensive architectural analysis of each of the thirty theatres so far uncovered in the area. Richly illustrated, it provides a vivid reconstruction of a world which, though long gone, continues to fascinate.
Architecture --- Roman history --- Theaters --- Amphitheaters --- Architecture, Roman --- Théâtres --- Architecture romaine --- -Amphitheaters --- -Architecture, Roman --- -Roman architecture --- Coliseums --- Outdoor concert facilities --- Opera-houses --- Playhouses (Theaters) --- Theatres --- Arts facilities --- Auditoriums --- Centers for the performing arts --- Music-halls --- -Theaters --- Théâtres --- Roman architecture
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Theaters --- Set designers --- Stage-setting and scenery --- History --- Biography. --- Italy --- 19th century --- 20th century --- Biography --- Theaters - Stage-setting and scenery - Italy - History - 19th century. --- Theaters - Stage-setting and scenery - Italy - History - 20th century. --- Set designers - Italy - Biography.
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